Colourful Kadu Malleshwara: Part 1

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Some images that typify Kadu Malleshwara. Beginning with the simple, yet enchanting flora...















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Bhagyada Lakshmi Baramma: Lyrics and Some of the Best Renditions

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Lyrics of Bhagyada Lakshmi Baramma in DevanAgari, English transliteration and Kannada: भाग्यद लक्ष्मी बारम्मा । नम्मम्म नी सौभाग्यद  लक्ष्मी बारम्मा ॥ हेज्जेय मेले हेज्जेयनिक्कुत गेज्जे काल्गळ ध्वनिय तोरुत । सज्जन साधु पूजेय वेळेगे मज्जिगेयोळगिन बेण्णेयन्ते ॥ १ ॥ भाग्यद लक्ष्मी बारम्मा ॥ कनक वृष्टिय करेयुत बारे मनकामनेय सिद्धिय तोरे । दिनकर कोटि तेजदि होळेयुव जनकरायन कुमारि बेग ॥ २ ॥ भाग्यद लक्ष्मी बारम्मा ॥ अत्तित्तलगदे भक्तर मनेयलि नित्य महोत्सव नित्य सुमन्गळ । सत्यव तोरुव साधु सज्जनर चित्तदि होळेयुव पुत्थळि बोम्बे ॥ ३ ॥ भाग्यद लक्ष्मी बारम्मा ॥ सङ्ख्येयिल्लद भाग्यव कोट्टु कङ्कण कैय तिरुवुत बारे । कुङ्कुमाङ्किते पङ्कज लोचने वेङ्कटरमणन बिङ्कद राणी ॥ ४ ॥ भाग्यद लक्ष्मी बारम्मा ॥ सक्करे तुप्पद कालुवे हरिसि शुक्रवारद पूजेय वेळेगे । अक्करेयुळ्ळ अळगिरि रङ्गन चोक्क पुरन्दर विठ्ठलन राणी ॥ ५ ॥ भाग्यद लक्ष्मी बारम्मा ॥ bhAgyada laxmI bArammA | nammamma nI saubhAgyada  laxmI bArammA || hejjeya mele hejjeyanikkuta gejje kAlgaLa dhvaniya t...
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Kannada translation of Robert Frost's "The Road Not Taken"

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  Kannada translation attempt of Robert Frost's famous poem "The Road Not Taken": ನಡೆಯದ ಹಾದಿ ಕವಲೊಡೆಯಿತೆರಡಾಗಿ ಕಾನನದ ಹಾದಿ, ಅವುಗಳೆರಡಿಹವು; ನಾ ದಾರಿಯೊಳಗೊಂಟಿ. ಸವೆಸಲಾರೆನು ನಾನು ಒಮ್ಮೆಗೆರಡೆನುತ, ಎವೆಯಿಡದೆ ನೋಡಿದೆನು ಒಂದನನವರತ, ಕವಿದು ಪೊದೆಯೊಳಗದುವೆ ಮರೆಯಾಗುವನಕ. ಎರಡನೆಯ ಹಾದಿಯದೆ ಸರಿಯೆನಿಸಿ ಹಿಡಿದೆ, ಚರಿಸೆನ್ನ ಮೇಲೆನುತಲದು ಕರೆಯುತಿತ್ತು. ಹೊರವಾಗಿ ಹುಲ್ಲಿತ್ತು, ಸವೆತ ಬಯಸಿತ್ತು. ತಿರುಗಾಡಿ ತುಸು ದೂರ ನಡೆದಂತೆ ತಿಳಿದೆ, ಸರಿಸಮದ ಸವಕಳಿಯೆ ಎರಡರೊಳಗಿತ್ತು. ಆ ದಿನದ ಬೆಳಗವುಗಳೊಂದರಂತೊಂದು ಮೂಡಿದವು, ತರಗುಗಳ ತುಳಿದ ಕಪ್ಪಿರದೆ. ಆದಿಯದನಿನ್ನೊಂದು ದಿನಕುಳಿಸಿ ಹೊರಟೆ. ಹಾದಿ ಹಾದಿಗೆ ಹಾದಿ ತೋರುವುದನರಿತು, ಪಾದಗಳು ಹಿಂದಿರುಗಿ ಬರುವ ನಚ್ಚಿರದೆ. ನಿಡುಸುಯ್ದು ಹೇಳುವೆನು ಮುಂದೆ ನಾನಿಂತು - ಕಡೆಯಲ್ಲಿ, ಹಲವಾರು ವರುಷಗಳ ಕಳೆದು, ಒಡೆದು ಕವಲಾಗಿರಲು ಪಥವೆರಡು ವನದಿ, ಕಡಿಮೆ ಬಳಸಿದ ಪಥವ ತುಳಿದು ನಾ ನಡೆದೆ; ಪಡೆದೆ ನಾ, ಬೇರೆಯದೆ ಫಲಗಳನು ಪಡೆದೆ. The original poem: The Road Not Taken Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then to...
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Astavadhana by Dr. R. Ganesh at Shashvatee

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I had the pleasure of witnessing one of the most difficult and "endangered" art forms being performed today, an Astavadhana in Sanskrit and Kannada, by the renowned Shatavadhani, Dr. R. Ganesh. He can perform this art form in three different languages fluently, i.e., in Sanskrit, Kannada and Telugu, and according to many, is the only living person today, who can perform this art at least in Sanskrit and Kannada. Without going into the details of both Avadhana and Dr. R. Ganesh's distinguished profile, here is a brief introduction about the two: Avadhana is a literary performance believed to have originated in Karnataka around 12th century AD, and is very popular in the languages of Kannada, Telugu and Sanskrit. Avadhani, the performer of Avadhana, would require to have tremendous abilities of multi-tasking and requires immense memory power too. The multiple tasks that the Avadhani needs to perform range from on-the-spot poetry creation, to identifying the references ...
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